The acting - of course - is superb with Shannon getting a showcase part that plays to his strengths. When Frank discovers a one-night stand Lola had in a hotel with an unknown man from out of town, he storms out feeling angry and betrayed. Shannon is too good for this nonsense, and Poots has got to do something about that disastrous name. But the reflection says it all, as the film is, ultimately, about Lola. She goes to stop him but is too late as Frank shoots at Birkhead, killing her immediately. It's certainly not a date movie, and all the better for it.[18], Deadline's Anthony DAlessandro: The former Variety reporter and Filmmaker editor has crafted a complex psycho-sexual love story here, with hues of Jacques Audiard's The Beat That My Heart Skipped, Francis Ford Coppola's The Conversation and Bernardo Bertolucci's Last Tango in Paris, among other titles.[19], The Boston Globe included the film in its "Finding Winners at Sundance" wrap-up, with critic Ty Burr saying that: This feature debut from writer-director Matthew Ross teases intriguing interference patterns out of its various genres, moods, and locationsIt's great to see a Vegas movie without a single scene set in a casino, and when Frank & Lola hops the Atlantic to ParisRoss uses the Marais district and the Place des Vosges with a similarly fresh and unnerving eyeRoss is one to keep an eye on. Verified reviews are considered more trustworthy by fellow moviegoers. Frank, a chef in Las Vegas, meets and falls in love with Lola, a mysterious young woman who is new to the city. Not just that, she is surprised at his knowledge of wines and their composition. Just what well-nigh the head? Poots makes nearly as strong an impression, but unfortunately this is not her movie. Franks own personal journey into understanding Lola, what happened to her, takes an atypical turn. [4] In February 2015, Arclight Films announced that it had acquired all international sales rights for the film. Their honeymoon is endangered, however, by Franks jealousy. Click the AdBlock Plus button on your browser and select Enabled on this site. Shannons intensity is the best thing Frank & Lola has going for it. "[3], In February 2014, it was announced Lola Pictures, Killer Films, Parts and Labor, and Preferred Content joined to produce the film, with Jan Van Hoy, Lars Knudsen, Christine Vachon, Kevin Iwashina, and John Baker to produce the film. As we do, we start unravelling the chest-thumping masculinity which drives Frank in how he responds to Lolas revelations of abuse. Thus, Hazel advises Max to tell Lola about his true identity, but he refuses to do so out of fear. For far too long now, both Shannon and Poots have remained on the sidelines of other films, stealing scenes in spectacular ways. When Lola receives a job as a fashion designer, Frank becomes jealous of her boss, Keith Winkleman, even though Keith makes it clear that he does not make a habit of sleeping with his employees. Powered by WordPress.com VIP. Over the course of the film, directed and written by Frank . The Latest Podcast #116: Films of Steven Soderbergh, Magic Mikes Last Dance, Horrific Inquiry: MY BLOODY VALENTINE (2009), THE LAST OF US Season 1 Episodes 2-5: Whoa, Were Halfway There, LITTLE DIXIE: Little Gas In Grillo Grit-Pic, YOUR PLACE OR MINE: A Generic Comedy That Promises More Than It Delivers, ALL QUIET ON THE WESTERN FRONT And NARVIK: Germany And Norway Made Very Different Films About War And Trauma, STOLEN YOUTH: INSIDE THE CULT AT SARAH LAWRENCE: A Nightmarish Documentary Of Pain, Trauma And Hope, The Everlasting Beauty Of CHUNGKING EXPRESS, OFF THE RAILS: A Moving Ride On the Tracks Of A Troubled Life. But advertising revenue helps support our journalism. Above all, Frank & Lolais a raw and honest look at the consequences of sexual assault on a woman. Your AMC Ticket Confirmation# can be found in your order confirmation email. Frank Jr., 16, had been spending a fun-filled week with his friend Jim Saffie, whose . By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. There is something so explosive about these two people who are drawn to each other but know far better than to be in this relationship due to their own damaged selves. Shannon and Poots star as the titular couple here. [5] In July 2015, the Sundance Institute selected Frank & Lola and director Matthew Ross to take part in its Feature Film Program's annual Music and Sound Design Labs at George Lucas's Skywalker Ranch. Chuck Bowen's writing has appeared in The Guardian, The Atlantic, The AV Club, Style Weekly, and other publications. And Poots, who seems one film away from becoming a huge movie star, is terrifically unpredictablevulnerable one minute and manipulative the next. Nude scene from Frank & Lola shows Lola (Imogen Poots) naked in bed with Frank (Michael Shannon). And if I'd made it earlier, it wouldn't have been as tight as it was when we shot it. When Frank attempts to blackmail Alan into leaving them alone by sending the surveillance tape to Claire via her email, Alan attacks him. [6] Frank & Lola was one of two completed featured films selected out the Lab's eight total projects. In essence, it is a honey story. What could take been a bad moving picture if others were in their roles became something adequate. A few months later, she establishes her company Salud Imports and starts gaining the trust of patrons. Ultimately the film speaks to the question of truly wanting to trust the person you are in love with and that very something that keeps you from fully being able to. Alan explains that the two of them were romantically involved and they had picked up the other woman from their favorite sex club. Theyre in the heat of passion. Lola flirts with strangers in bars, she refuses to commit, you just cant trust Lola, who is a chip off the block following in the platform-heel footsteps of her oversexed mother (Rosanna Arquette in a role so minor that it consists of only one scene). Mystery & thriller, At one pivotal juncture in the story, the protagonist is led to believe that his lover was once raped, and the viewer senses that he hopes this to be the case, so as to relieve himself of the possibility that she enjoys kink. We wont be able to verify your ticket today, but its great to know for the future. Frank & Lola opens in theaters across the U.S. and will be available on digital HD and On Demand onDecember 9. amzn_assoc_placement="adunit0";amzn_assoc_search_bar="true";amzn_assoc_tracking_id="filminquiry-20";amzn_assoc_ad_mode="manual";amzn_assoc_ad_type="smart";amzn_assoc_marketplace="amazon";amzn_assoc_region="US";amzn_assoc_title="Find on Amazon";amzn_assoc_linkid="011ce6f9d10a0629dba5e73cc9941d84";amzn_assoc_asins="B009L7QJ9O,B006NWFNX8,B001MLCX56,B01BHI4FPO"; Become a Member and support film journalism. Later, we move into gloomy streets covered in the same shadows, although now backlit by the neon lights of Vegas. It just didn't feel real to me, and I wanted these characters to feel real. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. Where the somewhat fragmented aspects of the plot would normally make things frustrating, here they make things all the more interesting in the way they symbolize the unpredictability and fragile state of Frank and Lolas relationship. In typical rape-revenge scenarios starting all the way back withCharles Bronson in Death Wish, Sam Peckinpahs Straw Dogs, Wes CravensThe Last House on the Left and its recent remake, most times a man is a central part of the eventual revenge which takes place. After the dinner, Frank and Amy. Yes, Lola also manages to acquire Vaughn Family Wines as a client, but not without overcoming several hurdles. Lola bails him out of jail the next morning and confides in him that her mother Patricia's previous boyfriend Alan Larsson, a Swedish millionaire, had raped her the previous summer. Is Waratah Station a Real Sheep Ranch. This friction between the actors gives the film an uneasy texture that suggests that Frank and Lola are intoxicated by their resentment of one another, but Ross doesnt explore it. 45 were here. Copyright Fandango. She explains that Alan did in fact rape her while she was studying fashion in Paris, but that she had fallen in love with him due to Stockholm syndrome. Things come to a head when a figure from Lolas past (Michael Nyqvist) brings to light a number of secrets which erupt in a sea of of eroticism and violence. Frank & Lola (2016) Crime, Drama, Mystery, Romance, Thriller [ USA:Unrated, 1 h 28 min] Michael Shannon, Imogen Poots, Michael Nyqvist, Justin Long. If Alice wins, she can ask anything she wants of Lola. You'll receive your first newsletter next Saturday. Matthew Rosss Frank & Lola is about an adult male grappling with the mind-blowing revelation that his girlfriend had a sexual life before him. 1h 28m. Unavailable on an ad-supported plan due to licensing restrictions. Upon her arrival, she bumps into Max, the handsome boss cocky (farm manager), who warns her to stay away from Hazel. Featuring shades of Bret Easton Ellis, Charles Bukowski, and Raymond Carver, Frank & Lola proves an enthralling and intoxicating love story from its upfront beginning to and ending which proves a mix of melancholy and hope. Frank discovers that Lola has been seeing someone elsea wealthy French playboy (played by Michael Nyqvist)and when he gets the chance to go to Paris to audition for a job as a chef in a new high-end restaurant, he plans a detour to face his rival and do what jealous noir patsies have been doing for ages: kill for the dame. None of it makes any sense, and if you think you know how it ends when it fades to black, do send me a postcard. I guess its all supposed to be sexy and provocative, but the evening ends in an orgy, so boring its hardly worth mentioning. All rights reserved. Impressed that Frank is a "fan", he invites him back to his place for a drink. Notwithstanding, then we encounter her mom, hear about her by, and we are reminded that as much every bit she is Franksouthward girlfriend, she has a life of her ain and has had a life before coming together him. An example of data being processed may be a unique identifier stored in a cookie. The consent submitted will only be used for data processing originating from this website. They won't be able to see your review if you only submit your rating. For Lola, with Poots charm and expect of innocence, it is difficult to not empathize how fifty-fifty a sort of recluse like Frank didnt get snagged. We and our partners use cookies to Store and/or access information on a device. He's got an eye, a strong p.o.v, and the movie has many perceptive observations about the self-destructive perils of possessiveness, ownership and holding on too tight.[15], The Hollywood Reporter's Stephen Farber called Frank & Lola a haunting dissection of male jealousyOther films have focused on sexual jealousy, but Ross and Shannon probe deeper than most into the poisonous, compulsive nature of male suspicionRoss has described Frank & Lola as a neo-noir, and it does deserve comparison with similarly dark character studies (such as Nicholas Ray's In a Lonely Place) from Hollywood's golden age of noir. Information technology is cooking, then with Lola entering his life at that place is this alter. Ross is aiming for woozy poetry, filling the screen with close-ups of Franks tortured face and shots of Lola dressed to the nines, glittering in the fleeting light of rarefied, cavernous Vegas haunts. I discovered that there's a really cool and exciting, vibrant arts and culture scene there that's just been developing downtown. Arquette and Devos contribute sharp cameos of women with dubious agendas of their own, and the smaller roles are all cunningly cast. Cracks begin to show after Lola suddenly cheats on Frank, which leads to Frank's evolving. When he does, however, Alan, a suave fellow who has an open marriage with his rich wife Claire (Emmanuelle Devos), offers an alternative account that suggests Lola has been deceiving him. However, such scenes also serve the story in the way they actually speak to the maddening passion such a relationship causes. When Lola receives a job as a fashion designer, Frank becomes jealous of her boss, Keith Winkleman, even though Keith makes it clear that he does not make a habit of sleeping with his employees. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. The character of Lola illustrates how a woman is perceived in light of the effects of sexual abuse on her personality. Frank goes to Paris, ostensibly to look into a potentially lucrative chef job set up by Lola's mother ( Rosanna Arquette, overdoing the shallow self-regard and sexual voraciousness; when she tells Frank, "I can't wait to taste your food," I expected her to add a cartoon-y meow). This sweet gesture brings them closer to each other, and they share a passionate kiss under the stars. Excited at witnessing how Vaughn Family Wines functions, she comes up with a beautiful sketch of Sybylla Vaughn and suggests pitching it to Hazel as a bottle label design. They're at once mundane and unreliable, tactile and elusive within the ever-shifting mind of Anthony Hopkins ' character, an 80-year-old . After the trial, Bonnie is standing next to Annalise and is the first to notice Frank was heading towards the Governor. Lola and Frank then tearfully break up with one another. This one will likely find an appreciative audience and makes for a promising debut for writer/director Ross.[21], Ross and Frank & Lola were also included on a number of "Best of Sundance" roundups. It could be because the script isnt superlative gear, just considering how they made information technology work despite that, there lies the reason for this being mixed. Did I enjoy the performances of this picture show? Hell need to travel to Paris to prepare a meal for the man, however, if hes to win the post. Things get worse when her colleague Audra steals her idea of roping in an Australian client named Vaughn Family Wines and pitches it to Calder. She tells him that contrary to what he may have believed, she is not interested in his money or social status, and his dishonesty has changed everything between them. Yes. As both screenwriter and director, Ross proves he's a filmmaker with not just something to say, but somewhere to take us. 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